Join us for an intimate evening where acoustic cello, piano, modular synths, voice, and live electronics weave together worlds. Helen Gillet, the surrealist archaeologist of the cello, unearths layered rhythms and ghostly melodies through live looping, channeling French chansons, avant garde jazz, and Belgian folk into a singular haunting voice. Ipek Eginli, a Turkish American experimentalist, conjures sound through electroacoustic improvisation on piano, modular synths, and voice. She describes her work as a process of a creation and a creation of a process.
